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“For me, the loss that we see pouring out of Twitter right now and everywhere you look as people write about their memories of Sondheim is for that person who says yes, devoting yourself to writing or to dancing or to singing or to composing - or whatever it is - is a worthwhile life,” Jesse Green, The Times’s chief theater critic, said in today’s episode. Sondheim, a composer-lyricist whose works include “Sweeney Todd” and “Into the Woods,” transformed musical theater into an art form as rich, complex and contradictory as life itself. How much you will love this film might just be a matter of how big a fan of Chiranjeevi you are.Stephen Sondheim died last week at his home in Roxbury, Conn. Thaman's music adds a zing to the proceedings aided by pretty visuals courtesy cinematographer Manoj Paramahamsa. Save Rao Ramesh and Arun Vijay no one really stands out, thanks more to the screen time than real acting chops. Ram Charan is in his element when dancing and pulling off the stunts, and he even tries his hand at comedy, but that's still a work in progress.
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Things come to a head when, his father's employer, Jayraj (Sampath) himself turns out to be the biggest threat his sister's life.Īs for the performances, let's just say they are all in synch with the script.
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There is a surfeit of funny characters - be it the overtly caricaturised aging superstar, Blockbuster Brahmaji (Brahmaji), the stunning but goofy daughter of DIG, Riya (Rakul) (who seems inspired by Sridevi in Kshana Kshanam), or Brahmanandam who plays an undercover agent who didn't crack a single case all his career, to name a few - but the jokes just don't work, save a few here and there.Īmidst all the forced tomfoolery the plot ploughs on, with Karthik clearing one hurdle after another that comes in the way of his sister becoming a collector. While the film gets the melodrama bit right, sadly the gags that turn out to be the dampener. He grows up to become a stuntman much to his dad's chagrin which he makes no secret of. But for Karthik, helping his sister achieve her dream of becoming a collector is more important. Unable to afford to send both his children to a good school, the dad decides the son must get the better education. The episode in which Karthik deliberately flunks his exams just to prompt his dad to send his sister to the better school is one of them. Well, there are a few moments that the filmmaker got right. Saving the cameo for the climax might just be the smartest thing the director did in the film. It's as though, for those few minutes that the Megastar is onscreen, nothing else matters - not Ram Charan, not the plot (which isn't there anyways) or even the logic of why Chiru is doing there in the first place.
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For it's ridiculous, the effect that fleeting sighting of the much loved matinee idol, clearly past his prime, doing what he does best, after a long hiatus, has on the movie watching experience as a whole. Chiru's special appearance in Bruce Lee proves as much.
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Movie review: Can a cameo, not more than five minutes long at best, turn out to be the most remarkable part of a two-and-a-half hour long feature film? Apparently, yes. Story: The film tells the story of Karthik aka Bruce Lee (Charan) who has just one goal in life - to help his elder sister, Kavya (Kriti) pursue her dreams.